Shia LaBeouf Now No Longer Famous

And all it took was a short visit to the Berlinale in Berlin.

Shia

He certainly knew what he was doing. The films that they play here are no longer famous, either.

Dieser Eintrag im Berlinaleblog ist nicht leicht gefallen. Denn er wird genau das bewirken, was der Autor eigentlich kritisieren will: Dass es in der modernen Mediengesellschaft eine wirkungsvolle Strategie ist, durch Pöbeln und Rüpeln Aufmerksamkeit zu erzeugen.

Lots Of Serious Crappy Films To Premiere At This Year’s Berlin Film Festival Starting Tomorrow

Or seriously crappy films, if you prefer.

Film snobs

The subjects will range from serious themes like obesity to the lack of health insurance, with a few gay priests and a little nuclear contamination thrown in here and there just to spice things down.

And in case you didn’t know, the Berlinale is known to be the most political (and therefore the most serious) of the three biggest European film festivals (Cannes, Venice and Berlin) and is also famous for including the sort of movies that aren’t necessarily considered, well, mainstream or easy to market.

You know, self-indulgent and arrogant cinematic art snob crap and art for art’s sake rubbish like that. So there we have it. Lights, camera… What’s the opposite of action again?

Wie schwer ist ein Goldener Bär? Wer ist der wahre Held der Berlinale? Wo steigt die beste Party? Alles, was Besucher des Filmfestivals wissen müssen – von A wie Ankunft bis Z wie Zoo-Palast.

Our Holy Hymnal Election Video, Amen

Wow. If anyone appreciates good propaganda, it’s these guys. The Der Spiegel clearly, if not accidently, got this one right: Obama, Amerikas Supermann.

“Oscar winner Davis Guggenheim directed it, Oscar winner Tom Hanks narrated it: Barack Obama’s election strategists have released a 17 minute promotional film. It stylizes the US President as a lonely hero who has single-handedly led his country out of crisis.”

Coming soon to a living room near you.

“Dieses Video ist für die Fans, und ihr wisst, wer sich angesprochen fühlen sollte.”

Berlinale Predictably Boring

As usual. But at least we get to look at Angelina Jolie for awhile this year.

She and her husband what’s-his-name have been here for days now and refuse to go home, giving the notoriously anti-Hollywood Berlin Film Festival that all important Hollywood touch.

But as for the movies, the only Lichtblick (bright spot) I have heard about so far is a film called Barbara, “a harrowing reminder of what life was like two decades earlier behind the Iron Curtain and Berlin Wall that stood just a few meters to the east of theatres where the Berlinale is based.” You know, it’s a film about how suffocatingly horrible communist East Germany was. But who wants to see that? Here in Berlin of all places, I mean.

That and that flick about the Nazis on the dark side of the moon, of course.

“It’s not a film about East Germany, it’s a film about how people survive in a country that was on its way out.” – Hmm. Sounds like a film about Syria.

There Does Bear A Certain Resemblance

I always knew that I never liked George Clooney and I thought I knew why (he makes such lousy movies), but this latest comment of his has made me reevaluate my opinion.

He announced that he would like to play the role of Angela Merkel, if anybody would ever offer it to him, because “I‘ve always wanted to be like a small German woman.”

No, I don’t know what that was supposed to mean, either.

And no, it’s not just his films anymore, nor his boring pacifism and human rights concerns or his inane and poorly acted political morality made in Hollywood that gets my goat this time, it’s the fact that he clearly wants to dress up like a woman (albeit as one who wears pant suits all the time) and just doesn’t have the guts to do so.

And here I thought the guy prided himself in having a little integrity. Puh-shaw.

“Fast jeder hat doch mal einen Joint oder eine Wasserpfeife geraucht.”

Dumb Broad Talking

Or was it Dead Man Walking?

A favorite tactic of left-wing wanna-be moralists everywhere (and of those flashy Hollywood types in particular), fading actress-with-a-cause-but-I-forget-which-one-it-is-this-week Susan Sarandon successfully boosted relations with her public and her vaunted sense of self by tossing around Nazi analogies at Pope Benedict XVI over the weekend. The current Pope is German, you see. And old. Get it?

And being a good Catholic girl who played a well-known nun in a film called Dead Man Walking way back when in 1995, when Christ was a corporal, she certainly shows that she knows what she is not talking about (knows what she is not talking about?).

Some, however, believe that she might actually be “ignorant” of lots and lots of things, which can’t really be though, can it?

“No, the last one. Not this Susan Sarandon we have now.”

“Good European pieties and delirious anti-American phantasms”

It’s all here. Ya gottcha European Film Academy Awards, your European Director, your European Screenwriter, your European Actor, your European Composer, your European Production Designer and even your European Oscar, all right here in Europe. Financed primarily by Germany, of course (where all the shots get called these days), but still. Germany is part of Europe too, you know.

Now all you need is your appropriate inappropriate European Film with your suitably anti-American fantasy exposing that country for the “fundamentalist totalitarian state” it is (as put so diplomatically by European Film Academy Presidente por Life Wim Wenders–he’s a European too, by the way) and the recipe is complete.

So this year’s wiener (or is it weiner or even whiner?) is: Roman Polanski for “Ghost Writer.” It’s the heart-warming story of an Iraq War-related assasination of a CIA-controlled US-Amerikan imperialist Tony Blair robot or puppet dude, take your pick he’s both (I knew I always liked that guy for some reason).

Gee, I wonder who got the Best Foreign Language Film Language European Oscar Award this year? I’m going to go way out on a limb on this one and say German.

German-funded “European” film prize goes to German-funded anti-American film.

Thanks for the link, Joe.